Artistic Work

 TIERRA  intervention at Museo Casa de la Memoria facades with a mixture of Collected soil from 40 places such as massive graves and kidnapping scenes, with the collaboration of Mesa Departamental de Víctimas and Museo Casa de la Memoria  Medellín-Colombia, 2017.

TIERRA

intervention at Museo Casa de la Memoria facades with a mixture of Collected soil from 40 places such as massive graves and kidnapping scenes, with the collaboration of Mesa Departamental de Víctimas and Museo Casa de la Memoria

Medellín-Colombia, 2017.

  CATFISH ARE FAT   silkscreen on oxidated metal  Rivers in Colombia are graves, not only because they drag all the country pollulants, they drags thousands of death bodys from diferents and indistinguishable wars: drugs, gold, land, oil, to mention a few. Cat fishes are fat

CATFISH ARE FAT

silkscreen on oxidated metal

Rivers in Colombia are graves, not only because they drag all the country pollulants, they drags thousands of death bodys from diferents and indistinguishable wars: drugs, gold, land, oil, to mention a few. Cat fishes are fat

 UNA SUPERFICIE DE DOS CARAS

UNA SUPERFICIE DE DOS CARAS

  LIBRO 1820 GEOGRAFIAS   This book is made of stacks , overlapping of meanings layers , compressed, animated , printed and shriveled , sheets unfold and interchanged as multiple sides of the same surface.   Earth, flesh and violence are made of each other     , they are articulated through variable sequences that yield to unimagined toughts

LIBRO 1820 GEOGRAFIAS

This book is made of stacks , overlapping of meanings layers , compressed, animated , printed and shriveled , sheets unfold and interchanged as multiple sides of the same surface. Earth, flesh and violence are made of each other , they are articulated through variable sequences that yield to unimagined toughts

 
  THIS WATERS DRAGS THE UNSPEAKABLE   Work in progress  What is the photographic medium? what it is its support? how it is posible to create any meaning using it now days that anybody can shoot and capture a meaningless " decisive instant " This body of work deals with this questions , deconstructing the photographic grammar

THIS WATERS DRAGS THE UNSPEAKABLE

Work in progress

What is the photographic medium? what it is its support? how it is posible to create any meaning using it now days that anybody can shoot and capture a meaningless "decisive instant" This body of work deals with this questions , deconstructing the photographic grammar

 MOVING MEDIA

MOVING MEDIA

  A|PART   Digitally Shooted from the hip while walking at night in Manhattan, NY. Hand made printed by the artist with 18% gray ink, on 30" x 44" Revere Black paper Sheets/300 gsm, Mouldmade in Italy,100% Cotton,Neutral pH,Acid Free,Chlorine Free SERIES OF 3

A|PART

Digitally Shooted from the hip while walking at night in Manhattan, NY. Hand made printed by the artist with 18% gray ink, on 30" x 44" Revere Black paper Sheets/300 gsm, Mouldmade in Italy,100% Cotton,Neutral pH,Acid Free,Chlorine Free SERIES OF 3

  THE SHIELD AND ITS REFLECTION   Printmaking: Screenprinting and Photo on Paper. In making this work I walked the street and ask the subjects if they at any time of their lives were able to kill. I Asked to remember that moment, and infuse all that anger to the camera. Then I printed trough silkscreen the image using silver ink on black paper.

THE SHIELD AND ITS REFLECTION

Printmaking: Screenprinting and Photo on Paper. In making this work I walked the street and ask the subjects if they at any time of their lives were able to kill. I Asked to remember that moment, and infuse all that anger to the camera. Then I printed trough silkscreen the image using silver ink on black paper.