Artistic Work

TIERRA intervention on Museo Casa de la Memoria, Medellín-Colombia, 2017. Collected soil from 40 places such as  massive graves and kindnapping scenes,  With the participation of Mesa Departamental de Víctimas and Museo Casa de la Memoria

TIERRA

intervention on Museo Casa de la Memoria, Medellín-Colombia, 2017.

Collected soil from 40 places such as  massive graves and kindnapping scenes, 

With the participation of Mesa Departamental de Víctimas and Museo Casa de la Memoria

MOVING MEDIA  

MOVING MEDIA

 

UNA SUPERFICIE DE DOS CARAS

UNA SUPERFICIE DE DOS CARAS

LIBRO 1820 GEOGRAFIAS This book is made of stacks , overlapping of meanings layers , compressed, animated , printed and shriveled , sheets unfold and interchanged as multiple sides of the same surface. Earth, flesh and violence are made of each other , they are articulated through variable sequences that yield to unimagined toughts

LIBRO 1820 GEOGRAFIAS

This book is made of stacks , overlapping of meanings layers , compressed, animated , printed and shriveled , sheets unfold and interchanged as multiple sides of the same surface. Earth, flesh and violence are made of each other , they are articulated through variable sequences that yield to unimagined toughts

 
THIS WATERS DRAGS THE UNSPEAKABLE Work in progress What is the photographic medium? what it is its support? how it is posible to create any meaning using it now days that anybody can shoot and capture a meaningless "decisive instant" This body work deals with this questions deconstructing the photographic grammar

THIS WATERS DRAGS THE UNSPEAKABLE

Work in progress

What is the photographic medium? what it is its support? how it is posible to create any meaning using it now days that anybody can shoot and capture a meaningless "decisive instant" This body work deals with this questions deconstructing the photographic grammar

SUPRASENSITIVE PHOTOGRAPHY I use street photography as a point of departure. I isolate the faces of people in their daily struggle. I erase their context and I replace it with a black empty backdrop. I print what remains of this faces (distorted, pixelated and noisy) through the silkscreen process. These specters whisper to me undecipherable secrets. Life is an uncontainable flux; it drags all our bodies towards a common destiny. Death looks at us from an open wound that never closes. 

SUPRASENSITIVE PHOTOGRAPHY

I use street photography as a point of departure. I isolate the faces of people in their daily struggle. I erase their context and I replace it with a black empty backdrop. I print what remains of this faces (distorted, pixelated and noisy) through the silkscreen process. These specters whisper to me undecipherable secrets. Life is an uncontainable flux; it drags all our bodies towards a common destiny. Death looks at us from an open wound that never closes. 

A|PART Digitally Shooted from the hip while walking at night in Manhattan, NY. Hand made printed by the artist with 18% gray ink, on 30" x 44" Revere Black paper Sheets/300 gsm, Mouldmade in Italy,100% Cotton,Neutral pH,Acid Free,Chlorine Free SERIES OF 3

A|PART

Digitally Shooted from the hip while walking at night in Manhattan, NY. Hand made printed by the artist with 18% gray ink, on 30" x 44" Revere Black paper Sheets/300 gsm, Mouldmade in Italy,100% Cotton,Neutral pH,Acid Free,Chlorine Free SERIES OF 3

THE SHIELD AND ITS REFLECTION Printmaking: Screenprinting and Photo on Paper. In making this work I walked the street and ask the subjects if they at any time of their lives were able to kill. I Asked to remember that moment, and infuse all that anger to the camera. Then I printed trough silkscreen the image using silver ink on black paper.  

THE SHIELD AND ITS REFLECTION

Printmaking: Screenprinting and Photo on Paper. In making this work I walked the street and ask the subjects if they at any time of their lives were able to kill. I Asked to remember that moment, and infuse all that anger to the camera. Then I printed trough silkscreen the image using silver ink on black paper.